Note: ditched Evernote some time in 2016. They changed the conditions of use. Non-premium users were limited to use on two devices only, if memory serves, and the price for a premium subscription went up. Was good while it lasted. Changed to OneNote. It's free.
Yesterday was part one of the biannual torture: parent-teacher interviews. I've blogged about this before. Let's just say it was a four paracetamol gig; a variation on a theme that won't end until I leave secondary English teaching. Just need to remember: it's not about me.
What was different was my use of the Evernote app on my iPhone 3 - a tad slow, but functional all the same. (I've just paid off my iPhone and I don't feel inclined to upgrade it just because the newer model is available. Could be tempted by an iPad though.)
Heaps of tech-savvy teachers are already using the Evernote app. You can read about it in some detail on Richard Lambert's blog.
But as a new user, my experience is thus:
Having decided to give the Evernote app a try, I photographed at least one piece of all my students' written work. This added thirty seconds per piece of work to assessment time. Yes, in my anally retentive way, I counted out the seconds.
You can get Evernote as a free app for your phone or iPad. However,
half way through my piles of marking I exceeded my monthly data upload
allowance. I bought the premium upgrade for $46.99 for a
year. Suppose it's cheap if you use it.
All the students' work is stored alphabetically on my iPhone and on the web, so I can access it anywhere. It's easier to view the students' work on a computer monitor than on the iPhone, of course. So without any other records, apart from the VELS grade in my chronicle, I can see at a glance the quality of each student's work, including their typical errors. I also photographed my final comments.
Unfortunately, I couldn't use my laptop during the interviews because I was sitting in the centre of the indoor basketball court. My laptop battery is on the wane and only lasts for 90 minutes. But I could use my iPhone.
At the first round of parent-teacher interviews there's always the concern that one won't be able to provide accurate assessments for parents - given it's week eight of the school year and secondary teachers on a full load teach perhaps 125 students.
I teach 75 kids this year. Yesterday, during seven hours, I saw the parent/s of 45 of them. Mostly, I was able to recall student details accurately. However, for a number of students, or when parents wanted more specific information, it was Evernote to the rescue. Had to do a bit of 'finger-spreading' on the screen to enlarge the relevant pieces of work sufficiently to see them, but it worked. Think several parents were impressed with my efforts too.
So thanks Evernote. And thanks Richard Lambert on Twitter for giving me the idea. I expect my Evernote records will be invaluable come report writing time.
Meanwhile, I'm preparing myself to get ticked off tomorrow by the principal for playing on my iPhone during parent-teacher interviews.
I'm a secondary English teacher in a co-ed state school in a north-western suburb of Melbourne, Australia.
Wednesday, March 28, 2012
Wednesday, March 07, 2012
Day off.
Day off today. Besides weekends, I have two other days off a week. I'm off work more than I'm on. A good life.
As on every day off, weekends included, I wake up in the morning, full of big ideas of what to do with this brilliant pool of time ahead of me. Start writing a novel - cos the last one was such a big success - not. Write a blog. Maybe. Do a twenty k bike ride. Too windy. Such are my thoughts.
Could have rolled on my back all day in bed, reading. Currently, I'm reading Kathryn Stockett's The Help. If I was going to read anything all day, that would be it. Great book set in Mississippi in 1962, so far, written from the perspectives of a couple of 'colored' maids working for rich white families. Apparently there's a film too. I'll get around to that eventually, I suppose.
But the truth is I can only read all day when I'm away from home on a holiday. If I'm here, there are jobs to do, even though there are only me and my husband living here full time. My son's in and out. Tidying around the kitchen - ten minutes, max. Make bed - three minutes. Washing: four minutes sorting and loading then Asko takes over. Ten minutes hanging it out; five to bring it in; ten to fold and put away. Gives the day a bit of structure. Don't know why I felt I had to prune the agapanthus today, but there you go.
Could have spent a few units of time blogging about my feral year eights, but it's the same old. The fourteen year old kid daubing ink all over the desk, chair and the kid next to him yesterday was a newie, but I'm hoping if I don't detail it, it will recede into my vacuous head. In that group, it's all about four domineering boys and one domineering girl. Me standing up the front trying to teach and these five kids keeping me too busy to do it effectively. Still, it's a breeze compared to all that prep, marking and stress incurred teaching Year 12s for the past thirty years. Middle school classes are busy at the time, but I've done no homework so far this year, apart from endlessly analysing it all and planning how to do things differently tomorrow to make a success of it.
Got a bit panicky trying to get onto the sodding Ultranet - the DEECT website - at about ten this morning. Couldn't log on. Tried the virtual help-desk and went around in circles. Did a bit of to-ing and fro-ing on emails to colleagues for advice. Nothing was useful. Finally decided to start again by re-registering. Got into the system to discover that not only am I already registered - derr - but I'm a 'designated administrator'. Well, really, ROFL. Couldn't do anything on that page so logged out and started from scratch. Logged in successfully this time, using exactly the same user ID and password that had failed several times earlier. But you know what? I had no idea what to do once I got onto the Ultranet. And clicking around left me no wiser.
It was about 11 am by this stage and the possibilities of my day off were drying up and my anxiety levels were rising.
Seemed like a good idea to ride that bike. But only a few k. And how did the wind manage to turn around while I was in the supermarket so that I was cycling into it on the way home as well?
So what's my point? Too much time on my hands. And loving it.
As on every day off, weekends included, I wake up in the morning, full of big ideas of what to do with this brilliant pool of time ahead of me. Start writing a novel - cos the last one was such a big success - not. Write a blog. Maybe. Do a twenty k bike ride. Too windy. Such are my thoughts.
Could have rolled on my back all day in bed, reading. Currently, I'm reading Kathryn Stockett's The Help. If I was going to read anything all day, that would be it. Great book set in Mississippi in 1962, so far, written from the perspectives of a couple of 'colored' maids working for rich white families. Apparently there's a film too. I'll get around to that eventually, I suppose.
But the truth is I can only read all day when I'm away from home on a holiday. If I'm here, there are jobs to do, even though there are only me and my husband living here full time. My son's in and out. Tidying around the kitchen - ten minutes, max. Make bed - three minutes. Washing: four minutes sorting and loading then Asko takes over. Ten minutes hanging it out; five to bring it in; ten to fold and put away. Gives the day a bit of structure. Don't know why I felt I had to prune the agapanthus today, but there you go.
Could have spent a few units of time blogging about my feral year eights, but it's the same old. The fourteen year old kid daubing ink all over the desk, chair and the kid next to him yesterday was a newie, but I'm hoping if I don't detail it, it will recede into my vacuous head. In that group, it's all about four domineering boys and one domineering girl. Me standing up the front trying to teach and these five kids keeping me too busy to do it effectively. Still, it's a breeze compared to all that prep, marking and stress incurred teaching Year 12s for the past thirty years. Middle school classes are busy at the time, but I've done no homework so far this year, apart from endlessly analysing it all and planning how to do things differently tomorrow to make a success of it.
Got a bit panicky trying to get onto the sodding Ultranet - the DEECT website - at about ten this morning. Couldn't log on. Tried the virtual help-desk and went around in circles. Did a bit of to-ing and fro-ing on emails to colleagues for advice. Nothing was useful. Finally decided to start again by re-registering. Got into the system to discover that not only am I already registered - derr - but I'm a 'designated administrator'. Well, really, ROFL. Couldn't do anything on that page so logged out and started from scratch. Logged in successfully this time, using exactly the same user ID and password that had failed several times earlier. But you know what? I had no idea what to do once I got onto the Ultranet. And clicking around left me no wiser.
It was about 11 am by this stage and the possibilities of my day off were drying up and my anxiety levels were rising.
Seemed like a good idea to ride that bike. But only a few k. And how did the wind manage to turn around while I was in the supermarket so that I was cycling into it on the way home as well?
So what's my point? Too much time on my hands. And loving it.
Monday, January 23, 2012
Stranded in Saigon
Our travel misadventures in Vietnam continue. Update at Fraudster's Musings. Link in sidebar.
Cheers, sort of, again. Fraudster.
First world problem in the third world.
So teachers get all these holidays they don't deserve?
Well, I'm paying for it now. Lost credit cards, passports and cash in Vietnam about ten days ago. Read about it at Fraudster's Musings. Link in side bar.
But hey. It's not life threatening.
Cheers. Sort of.
Saturday, December 24, 2011
Last gasp pre Christmas
Interested in what tired teachers get up to at their end of year break up? At a lawn bowls club for pity's sake?
At least it was different from the usual contrived knees-up with bad karaoke singing that almost drove me to take up smoking again. (That way I could hang around the entrance with the other escapees from death by off key singing.)
Read about it at Fraudster's Musings .
Season's Greetings from bad fairy, Fraudster.
At least it was different from the usual contrived knees-up with bad karaoke singing that almost drove me to take up smoking again. (That way I could hang around the entrance with the other escapees from death by off key singing.)
Read about it at Fraudster's Musings .
Season's Greetings from bad fairy, Fraudster.
Wednesday, December 14, 2011
A Glut of Junior Students
Making a big production number of it, I walk to the
whiteboard. Detention, I write on the top right hand corner. The ruckus continues. Raising my eyebrows in mock surprise at the
foolishness of youth, I slowly underline the word; turn to face the class. I quietly exude the appearance of calm. Some students nudge other kids to get them to
stop whatever they’re doing.
‘SHADDUP!!!’ someone yells, adding to the racket. After about a minute the group settles. I start to mark the roll. Someone, I can’t tell who, ‘blows a
raspberry’. Raucous laughter. I wait.
I return to the whiteboard with my marker. 2 mins, I write under Detention. To no effect.
‘I will keep
certain people in at recess for fifteen minutes,’ I pronounce.
Brief silence. Then
dramatic nose-covering. Girls have
pulled the fronts of their dresses over their noses and mouths. Boys roar with laughter; fall off their
chairs.
‘P-PHWAWWW!’ Don’t
know how to spell that sound people make when they’re exaggerating how they
feel because someone’s farted.
And someone had. It
was snaking its tendrils right out to me at the front. Hard to quell that sort of disruption when
you don’t know any of the students.
Giving up on settling the class, I turn to write the absent teacher’s
instructions on the board. Some girls
start mocking my name. Can’t tell
who. Try not to emotionally engage with
them. If I follow my ‘discipline plan’, I’ll
cope. Five minutes later I evict a
belligerent girl who’s screaming at me. Fifteen
attempts at the ‘broken record’ technique – acknowledge the kid’s grievance
then repeat assertive statement – failed to achieve anything. Clearly, she hadn’t read the book
For the next sixty minutes, the first fifteen having been
wasted, I pace the room, assisting here and there – it’s a science lesson on light
- and putting out ‘spot fires’. I have a
heightened sense of anxiety for the duration.
At recess, I detain four students. I release one because she’s threatening to
physically assault one of the other detainees, who’s called her a lesbian.
Twice each day since early November, this has been my
reality..
A glut of junior school students. Not a bad collective noun for thirteen year
olds one doesn’t know with whom one must interact. What I’ve failed to capture in the above
scenario is the abject rudeness of these students. They are nasty. They treat me like shit. And they don’t even know me. This seems to be the default setting for so
many teenagers these days.
Why the glut? I
taught two year 12 classes. When they
finished in November, the reward for all that extra-curricular preparation and
marking is that one takes replacement classes.
Fair enough. Junior and middle
school teachers are still teaching and I’m swanning off.
When I tell non-teachers about replacements/extras/supply
teaching they say things like ‘they wouldn’t do that to me’ or, ‘if you don’t
like it get another job.’
And then I get defensive.
Secondary teaching has been hard work, but mostly a great career. Or has it?
It’s been manic, occasionally depressing, regularly bowel twistingly
boring – that’s meetings – and joyous. A
bit Ground Hog Day. I hope I’m still
learning what I need to know.
Next year I’ve swapped my two year 12s for two year 8s.
Thursday, December 01, 2011
Dropping the C bomb
Don’t know much about Mireille, a girl in my year 7 Creative
Writing class, but thirteen years ago, someone thought to give her a pretty
name. Her mother, perhaps. Her mother who now, for whatever reason,
lives on the other side of the country.
Mireille is short, physically mature and overweight. Her permed bleached blonde hair hangs kinkily
around her face and shoulders. There’s a
darker row at the parting where the roots are growing out. Her facial features are regular, and could be
considered attractive, if you catch her at the right time. When she’s not sneering at you.
Mireille is at that point in the discipline handbooks where
the ‘goal of her behaviour’ is revenge.
Which translates into doing whatever the hell she wants.
That’s partly why she called me the c word today. (Weird.
I can’t even bring myself to type it here, although I typed it out in
the obligatory discipline report.) She
said it under her breath, but I heard, and I couldn’t let that one go. Now she’s on a two day suspension. Dad’s been advised to find her another school
because she’s just this side of expulsion.
Very serious. Not my fault that
she’s now at the expulsion stage. Swearing
at me was just the last straw.
Mireille arrived late to class, ‘announcing’ herself by
wearing a livid red cardigan, against the strict uniform rules of the school.
‘But it’s co-old!’ she declaimed, for the benefit of the
other twenty-four students, when I asked her to remove it. School rules require a note, or a detention
for uniform transgressions. ‘I didn’t
have anything else to we-ar.’ A loud
affronted whine. ‘I stayed at my friend’s last night, orright!’
It wasn’t cold, but I didn’t want to have that centre stage
fight over something I didn’t really care about. I decided to let it go and didn’t issue a
detention. She wouldn’t have cared
anyway and probably already had one with a different teacher.
Mireille is fearless, confrontational and powerful. She has no respect for my teaching
status. ‘I hate all teachers,’ she
brags. It's as if she has no decent, ‘better’
nature to appeal to. I’ve goaded her
into working occasionally but it’s been a waste of time praising or encouraging
her. She wants to be bad; she thrives on
disrupting.
Once she wrote a terrific piece. She’s a natural. Surprisingly neat – beautiful, careful
handwriting, each paragraph in a different colour pen. Error free.
She’d nailed the writing task, albeit in an abbreviated way. Of course, eager to encourage her, I was like
a seagull on a chip. Great writing; terrific details, I wrote
on her work. Can’t wait to read what
happens next!
‘Nothing happens. It’s
finished. Why should I bother writing
more? I know how to write already. I’m really clever.’ This is yelled in my face, in response to my
exhortations that she should keep writing because she’s good at it. And watching her while she wrote it, it was
obvious that she enjoyed writing.
‘I don’t want to learn.
Why would I want to be a goody-goody like them?’ She waves a hand
towards a row of neat, enthusiastic, well-behaved students. ‘It’s more fun being bad.’ She’s unafraid of
offending them, or anyone
Once she turned up to school with her school skirt hitched
up under her large breasts, her school shirt splayed open and knotted at the
midriff to showcase her black lace bra.
Like a hooker, really.
It hasn’t been terrible having Mireille in my class. Just avoid cornering her; avoid the fight,
which she’d inevitably win because she’s no holds barred, like many students
these days.
But yesterday, this late in the year, I was under pressure
to get the students to complete their ‘Individual Learning Plans’; to reflect
on their personal learning goals – what a joke, but that’s another story. The kids were a bit loud and unfocused as I
moved around the room trying to get the job done.
‘I haven’t got any goals.’ Mireille was loud and
ostentatious, boldly defying the task, summoning her audience. Again I decided it wasn’t worth it. The ILPs are a crock anyway. So what if she doesn’t have one in her
report? Move on. There were books she could read but she was
happily drawing love hearts and silly pictures with a felt pen. As long as she wasn’t drawing on the desk I
was happy to let it slide. Twenty-four
other students needed my attention, including several other ‘discipline
problems’.
Towards the end of the 75 minute period, Mireille was
flagrantly breaking rules. Sharing
headphones with another student, she was doing some exaggerated dancing
motions, hands in the air, fingers twirling.
Treating me like a fool.
Challenging. I walked up behind
her and her hapless, half-asleep side-kick and plucked the headphones out of
their ears.
Mireille, outraged, turned in her seat. ‘You have no right to touch my property! If you’ve broken them, I’m suing you!’ This was screamed at me.
‘Hand over the phone, Mireille.’ My voice was calm, assertive.
‘It’s not a phone. It’s
an ipod.’ One to Mireille, but stand back, for I am an
expert in the ‘broken record’ technique.
(Thanks, Lee Kantor.)
‘I hear what you’re saying, but hand it over.’
‘No, it’s brand new, you can’t take it.’ She’d zipped it into her uniform pocket.
‘Okay, it’s new, but hand it over.’ Reluctantly she surrendered it. Feeling pleased that she responded to my third
request, I put the device in my office drawer.
She was furious and let fly with the c bomb.
If only she’d called me a bitch. Could have let that one go through. Hate my part in this sorry mess which seems so pathetic written down, twenty-four hours later.
Tuesday, October 25, 2011
Muck-up
“Will you miss us, Miss?” Doe-eyed Year 12 student, Leesha,
is all expertly applied foundation and eye-liner, a somewhat sexual Dorothy from Wizard of Oz,
spangly red shoes included.
“Yes and no,” I say too quickly. This is my character flaw; the weakness for
which people either love me or hate me.
Don’t mean to be nasty. I blame
my early childhood and my dad who used to scare all the kids in my street. I do the same, without even trying. I’m the witch.
Should have said that of course I’d miss
her. But thirty two years of teaching
has taught me that she won’t ‘take’ in my long-term memory. Some students will, but not the normally shy Leesha. And I'll read this and wonder who she is.
Leesha isn’t that interested in my response anyway. She’s bursting with the excitement of another muck-up day and friends who might be
heading out the door without her. She’s glancing surreptitiously at them, perhaps regretting her decision to speak to me. But her politeness wins out and she lends half an ear to my
response. I keep it brief, and it’s
along the lines of 'as one class leaves, another one begins'. Started to ask her if she was familiar with
To Sir With Love, but saw her young brow furrowing and thought better of it.
After form assembly in the VCE ‘lounge’, Leesha and I walk through the
school together and she’s happy to explain that she’d bought her costume ages
ago, just for this occasion, on Ebay for $20.
Wish they’d put as much forethought into preparing for SACs and exams as
they have into preparing for this “muck up week”. It’s not one day of mayhem at our
school. It’s three. Kids are supposed to attend classes. What a joke.
It’s three days of harmless pranks, or vandalism, however you want to look at
it. Shaving cream, eggs, flour, silly
string, noxious substances sprayed from water pistols and fart bombs.
And a bit too much near nudity on the boys’ part. About six years ago, we had our first almost
nudie ‘run through’ at assembly. A
skinny arsed, athletic young man donned a mankini and ski mask and at Monday
morning assembly, charged past the principal on the podium, down the steps and
out into the incredulous mass of students.
A senior teacher gave chase, but he wasn’t quick enough. It was hilarious, but we all agreed that the
student had gone too far.
Good old days. This
ritual has grown. Yesterday, as I headed
for assembly, I passed the First Aid room where the principal, grinning, had corralled
about ten oiled, buff, near naked young men.
During assembly, on cue it seemed, they charged past the principal on
the podium, down the steps and out into the unconcerned mass of students. No one gave chase. The boys raced one way, then they sauntered
back in their g-strings, and stood in their groups, affording the year 7s a
cracking view.
Today, I genuinely flinched when a black-hooded, bare –
waxed – chested marauder barged into my classroom, where I was reminiscing with
a group of students, and held a gun – imitation – in my face. Tad intimidating, until he handed me his exit
form to sign. It’s the first class he’s
attended all term. “I’m going to get a B
for English, Miss,” he says. Hope he
does. Hmm.
Mixed feelings about this time of year.
Anger. Hate some of
the punitive vandalism that occurs at this time.
Frustration. GAT
scores indicate many of our kids could achieve higher marks than they do. If they’d work harder.
Nostalgia. Wheels go
round and round.
Loss. Because I am
very attached to many of this year’s students, some of whom I’ve taught for
four of their six years of high school.
Freedom. Because
having taught year 12 for all but two years since 1981, I’m not doing it next
year. And, depending on how it feels on
the other side focusing on middle school – and whether I can live without the masses
of extra marking incurred with year 12 – I may never teach year 12 again.
Wednesday, September 14, 2011
On The Waterfront and Family Loyalty
It's the pointy end of the VCE year now. Just marked a pile of On The Waterfront essays, as I've written in the previous post, and discovered that many of my students wrote expository essays, appropriate for Creating and Presenting, instead of analytical text response essays. I've been spending a bit of class time, trying to remedy the problem, as one does. We worked on the topic from last year's final exam paper: How important is family loyalty in the film?
Have to concede that initially I found this a little obscure, as did my students, some of whom were freaking out. After showing them a way to deconstruct the essay topic, I decided to have a go myself. In doing so, I found that the topic wasn't obscure at all.
Here's my essay:
Near the exposition of On The Waterfront, Edie Doyle, kneeling at the side of her dead brother, cries “I want to know who killed my brother!” Her family loyalty, her relentless quest for the truth about corruption on the waterfront, initiates Terry’s moral dilemma and his eventual transformation to ‘contender’. Furthermore, Terry’s relationship with his brother, Charley, is central. On The Waterfront is also very concerned with unionism; longshoremen paying a corrupt union that they unfortunately rely on for their survival. The union could be considered a family, of sorts, albeit one subjugated by a tyrannical leader who dispenses ‘largesse’ according to his own ends. The longshoremen must remain loyal to this union to ensure their survival, or so they think.
On the Hoboken wharf, the union could be considered a family upon which the longshoremen depend for survival. Betraying this collective, as Joey Doyle (and Andy before him – ‘that’s like when they called out my Andy’) discovered, is punishable by death. The ironically named Friendly, lurking in his low-shot union quarters, with his well-dressed adherents, rules this family. The longshoremen seem entangled in his system, their tenements seemingly trapped behind a matrix of fire-escape stairs. They are dependent on his dispensing work to them each day, desperately scrabbling for work tokens on the dock. They pay their extortionate dues; accept loans from J.P. Morgan, Friendly’s loan shark. They know they are powerless against Friendly’s corrupt rule. Their loyalty to this union is unwilling, born out of fear and survival needs. This is seen in Pop Doyle’s return to work immediately after his son’s death – ‘I gotta work to pay for the funeral’. With no work token he is forced to borrow from Morgan. Pop Doyle detests the union but pays his dues nonetheless. After thirty years on the wharf he sees no other way.
Perhaps though, it is the loyalty between members of these Hoboken families that is so compelling in this film. Edie Doyle, often filmed in pure, clear light, is almost an avenging angel, defying the constraints of her gender in her pursuit of the truth about her brother’s murder. She galvanises Father Barry to take up the cause – “What kind of a saint hides in a church?” – prompting him to see the longshore as his parish and fight for justice. Further, her burgeoning friendship with Terry which stems from this loyalty to her brother, triggers Terry’s moral development. This is revealed in the cafe as Terry wrestles to understand Edie’s sorrow. “Whatsa matter with you?” he asks, struggling to fathom why she can’t leave the subject alone. Her words, “You would [help] if you could” and her touch, deeply trouble Terry, forcing him to grapple with his conscience. [Brando’s acting is sublime at this point., I think!!] Edie’s loyalty to her brother and her subsequent relationship with Terry is thus a catalyst in his moral transformation.
Moreover, Edie challenges Father Barry to involve himself in the waterfront fight; to care for his people. In this way he connects with Terry, initially when Terry is ‘stool pigeon’ for the union at the meeting at the church. Later, after K.O.’s death, when Father Barry delivers an impassioned sermon from the hold, his words prompt Terry to take a stand, punching Tullio for his interjections and drawing the ire of Friendly, watching from above. Father Barry becomes a paternal guide for Terry, hearing his confession – “I swear I thought they was just going to talk to him” – urging him to confess to Edie and later testify to the Crime Commission. Perhaps, like a father, Father Barry is able to rebuke Terry, knock him to the ground, when Terry tells him to go to hell. Furthermore, he is able to quell Terry’s anger – “I’m gonna take it out on their skulls” – leading him to fight Friendly in court, rather than “like a hoodlum on the docks”. (Ironic, as it turns out.) After Charley’s death, Terry’s respect for Father Barry greatly assists in Terry’s redemption.
Ultimately, though, Terry’s relationship with his brother, Charley, is central to the film. Charley is supposedly Friendly’s ‘brain’, trusted with the financial dealings of the union. He is one of Friendly’s acolytes and has pledged allegiance to the union boss. Initially, he seems to have an easy relationship with Friendly. He was instrumental in ensuring Terry ‘took a dive’ to win a bet for Friendly, “for the short end money” for Terry sadly, when he “coulda been a contender.” Thus he has facilitated Terry’s lesser existence, on the rooftop, hanging out with children in their Golden Warriors jackets. So often Terry is filmed behind chicken wire, highlighting his sense of restriction and entrapment. He is caged like the homing pigeons. He envies them their freedom to feed and fly around, albeit at the mercy of the hawks, hanging around on rooftops ready to pounce. Terry is at first portrayed as an errand boy, a follower, a dupe. This is revealed in the mise-en-scene as he follows Friendly and his men out of their lair on the docks prior to calling Joey out and inadvertently luring him to his death. Yet at this stage Charley has shown some loyalty to Terry, ensuring he gets easy work on the docks as long as he remains ‘D and D’.
One of the most memorable scenes in On The Waterfront is that shot in the back of a car involving Charley and Terry. In this scene, where Charley has been asked to hand Terry over to Jerry G if he threatens to ‘go canary’, we begin to see Charley’s real love for his brother. Charley is charged with taking Terry for a ride to buy his silence. We see Charley’s turmoil as he pulls a gun on his brother. This is emphasised by the disturbing lighting heightening the sense of confused loyalties that Charley faces. As Charley reconciles himself to the ‘bum’ deal he has bequeathed his brother, the soaring legato score underlines his love and emotional pain as Terry reminds him “It was you...you should have taken care of me a little more.” Charley knows he cannot give up his brother to the mob. Charley’s allegiance to Terry and his own consequent sacrifice is pivotal in Terry’s later stance. Indeed it could be said that until he lifts his brother from the hook, almost in an embrace, he does not fully comprehend the magnitude of Edie’s loss.
These family loyalties are central to, and drive the narrative of, this film. Kazan seems to suggest that such relationships override mob rule; that grappling with one’s conscience and seeking moral truth is imperative. Perhaps this aligns with the choices Kazan made: his vindication of ratting out his friends to the HUAC.
Interestingly, I handwrote this essay in between parent interviews. (It was my first parent-teacher night as a part-time teacher, and oh, what a difference. I only saw fourteen families, as opposed to about sixty. How did I do it before? How did my full-time English, Maths and Science colleagues do it last night? Teachers deserve more pay. But I digress.)
Hope the essay was of some use to you. I'm getting my students to identify the three main points in the introduction, then link these to the topic sentences and links - as per TEEL formula - in the body paragraphs. They'll have a hard time doing this in the penultimate paragraph because it's more or less an extension of the previous one.
Think I'm blathering now.
Fraud.
Have to concede that initially I found this a little obscure, as did my students, some of whom were freaking out. After showing them a way to deconstruct the essay topic, I decided to have a go myself. In doing so, I found that the topic wasn't obscure at all.
Here's my essay:
Near the exposition of On The Waterfront, Edie Doyle, kneeling at the side of her dead brother, cries “I want to know who killed my brother!” Her family loyalty, her relentless quest for the truth about corruption on the waterfront, initiates Terry’s moral dilemma and his eventual transformation to ‘contender’. Furthermore, Terry’s relationship with his brother, Charley, is central. On The Waterfront is also very concerned with unionism; longshoremen paying a corrupt union that they unfortunately rely on for their survival. The union could be considered a family, of sorts, albeit one subjugated by a tyrannical leader who dispenses ‘largesse’ according to his own ends. The longshoremen must remain loyal to this union to ensure their survival, or so they think.
On the Hoboken wharf, the union could be considered a family upon which the longshoremen depend for survival. Betraying this collective, as Joey Doyle (and Andy before him – ‘that’s like when they called out my Andy’) discovered, is punishable by death. The ironically named Friendly, lurking in his low-shot union quarters, with his well-dressed adherents, rules this family. The longshoremen seem entangled in his system, their tenements seemingly trapped behind a matrix of fire-escape stairs. They are dependent on his dispensing work to them each day, desperately scrabbling for work tokens on the dock. They pay their extortionate dues; accept loans from J.P. Morgan, Friendly’s loan shark. They know they are powerless against Friendly’s corrupt rule. Their loyalty to this union is unwilling, born out of fear and survival needs. This is seen in Pop Doyle’s return to work immediately after his son’s death – ‘I gotta work to pay for the funeral’. With no work token he is forced to borrow from Morgan. Pop Doyle detests the union but pays his dues nonetheless. After thirty years on the wharf he sees no other way.
Perhaps though, it is the loyalty between members of these Hoboken families that is so compelling in this film. Edie Doyle, often filmed in pure, clear light, is almost an avenging angel, defying the constraints of her gender in her pursuit of the truth about her brother’s murder. She galvanises Father Barry to take up the cause – “What kind of a saint hides in a church?” – prompting him to see the longshore as his parish and fight for justice. Further, her burgeoning friendship with Terry which stems from this loyalty to her brother, triggers Terry’s moral development. This is revealed in the cafe as Terry wrestles to understand Edie’s sorrow. “Whatsa matter with you?” he asks, struggling to fathom why she can’t leave the subject alone. Her words, “You would [help] if you could” and her touch, deeply trouble Terry, forcing him to grapple with his conscience. [Brando’s acting is sublime at this point., I think!!] Edie’s loyalty to her brother and her subsequent relationship with Terry is thus a catalyst in his moral transformation.
Moreover, Edie challenges Father Barry to involve himself in the waterfront fight; to care for his people. In this way he connects with Terry, initially when Terry is ‘stool pigeon’ for the union at the meeting at the church. Later, after K.O.’s death, when Father Barry delivers an impassioned sermon from the hold, his words prompt Terry to take a stand, punching Tullio for his interjections and drawing the ire of Friendly, watching from above. Father Barry becomes a paternal guide for Terry, hearing his confession – “I swear I thought they was just going to talk to him” – urging him to confess to Edie and later testify to the Crime Commission. Perhaps, like a father, Father Barry is able to rebuke Terry, knock him to the ground, when Terry tells him to go to hell. Furthermore, he is able to quell Terry’s anger – “I’m gonna take it out on their skulls” – leading him to fight Friendly in court, rather than “like a hoodlum on the docks”. (Ironic, as it turns out.) After Charley’s death, Terry’s respect for Father Barry greatly assists in Terry’s redemption.
Ultimately, though, Terry’s relationship with his brother, Charley, is central to the film. Charley is supposedly Friendly’s ‘brain’, trusted with the financial dealings of the union. He is one of Friendly’s acolytes and has pledged allegiance to the union boss. Initially, he seems to have an easy relationship with Friendly. He was instrumental in ensuring Terry ‘took a dive’ to win a bet for Friendly, “for the short end money” for Terry sadly, when he “coulda been a contender.” Thus he has facilitated Terry’s lesser existence, on the rooftop, hanging out with children in their Golden Warriors jackets. So often Terry is filmed behind chicken wire, highlighting his sense of restriction and entrapment. He is caged like the homing pigeons. He envies them their freedom to feed and fly around, albeit at the mercy of the hawks, hanging around on rooftops ready to pounce. Terry is at first portrayed as an errand boy, a follower, a dupe. This is revealed in the mise-en-scene as he follows Friendly and his men out of their lair on the docks prior to calling Joey out and inadvertently luring him to his death. Yet at this stage Charley has shown some loyalty to Terry, ensuring he gets easy work on the docks as long as he remains ‘D and D’.
One of the most memorable scenes in On The Waterfront is that shot in the back of a car involving Charley and Terry. In this scene, where Charley has been asked to hand Terry over to Jerry G if he threatens to ‘go canary’, we begin to see Charley’s real love for his brother. Charley is charged with taking Terry for a ride to buy his silence. We see Charley’s turmoil as he pulls a gun on his brother. This is emphasised by the disturbing lighting heightening the sense of confused loyalties that Charley faces. As Charley reconciles himself to the ‘bum’ deal he has bequeathed his brother, the soaring legato score underlines his love and emotional pain as Terry reminds him “It was you...you should have taken care of me a little more.” Charley knows he cannot give up his brother to the mob. Charley’s allegiance to Terry and his own consequent sacrifice is pivotal in Terry’s later stance. Indeed it could be said that until he lifts his brother from the hook, almost in an embrace, he does not fully comprehend the magnitude of Edie’s loss.
These family loyalties are central to, and drive the narrative of, this film. Kazan seems to suggest that such relationships override mob rule; that grappling with one’s conscience and seeking moral truth is imperative. Perhaps this aligns with the choices Kazan made: his vindication of ratting out his friends to the HUAC.
Interestingly, I handwrote this essay in between parent interviews. (It was my first parent-teacher night as a part-time teacher, and oh, what a difference. I only saw fourteen families, as opposed to about sixty. How did I do it before? How did my full-time English, Maths and Science colleagues do it last night? Teachers deserve more pay. But I digress.)
Hope the essay was of some use to you. I'm getting my students to identify the three main points in the introduction, then link these to the topic sentences and links - as per TEEL formula - in the body paragraphs. They'll have a hard time doing this in the penultimate paragraph because it's more or less an extension of the previous one.
Think I'm blathering now.
Fraud.
Friday, September 09, 2011
Procrastinate? Moi?
Whilst procrastinating today - avoiding marking again - I achieved the following:
- 9.30 am. With the erudite curiosity of a PhD student, read the small print leaflet in a packet of "Menopause Harmony";
- wrote an email to a cousin in France, who I haven't contacted for sixteen months;
- encouraged, via Edumail, a teaching friend to read several blogs and start her own;
- discovered that T2 Earl Grey tea, brewed in a pot, keeps piping hot and at perfect strength for hours in a thermos, thus obviating the need for a tea cosy, boiled water and forty seconds in the microwave on the second and subsequent cups;
- Googled correct use of the term 'albeit' to confirm that it isn't a replacement for 'despite' but a rather for 'despite being'. (Felt the need to find an appropriate website to share with a Year 12 student who keeps misusing the word);
- discovered, in the Narnian depths of my wardrobe, a cardigan, bought in Italy in 1985. Furthermore, found that said cardigan, worn over a Bonds hoodie, with hood up, precludes the need for a heater in my kitchen while I'm marking, thus saving on heating costs;
- read the side of a packet of Ferro-F-Tabs to realise I shouldn't be taking an iron supplement for more than twelve months without seeking medical attention. Stopped short of Googling, again to find out why;
- put head to one side and with a bemused expression on my face, pondered my need to record all this, thereby further interrupting my marking;
- counted my 'marked' pile - 6 in two hours - and my 'unmarked' - 21;
- devised a numbered checklist so I could cross off a number every time I completed marking an essay to stop myself obsessively counting through the pile - did it anyway to see if I'd forgotten to cross any off;
- considered the tenuous similarity between marking and knitting given that I count off knitted rows in much the same way, except faster;
- visited the furthest rather than the nearest lavatory in the house several times;
- remarked on the curious nexus between the drinking of a litre of piping hot tea from a thermos and the frequency of micturition;
- thought longingly of champagne as I gazed at the flutes in my kitchen dresser. (12.05 pm. Nineteen essays still to mark.)
- Googled, unsuccessfully, to see if a student had cheated on his essay. Quite sure he didn't write it but Google wasn't letting on;
- Experienced an almost orgasmic rush when I realised I had forgotten to cross off essays on my list. I had eleven, not fourteen to go. ('Menopause Harmony' must, as promised, have restored my libido.)
- Made second litre of tea;
- wondered whether I was perhaps overdosing on tea, but congratulated myself on denying another Google opportunity and resuming my marking;
- assigned 'blues' ringtone, on my iPhone, to my son;
- went for two k walk;
- organised my laundry.
Finally completed marking twenty-seven On The Waterfront essays at 4.43. Now I can whinge about having spent my whole day off marking. Sort of.
Fraud.
- 9.30 am. With the erudite curiosity of a PhD student, read the small print leaflet in a packet of "Menopause Harmony";
- wrote an email to a cousin in France, who I haven't contacted for sixteen months;
- encouraged, via Edumail, a teaching friend to read several blogs and start her own;
- discovered that T2 Earl Grey tea, brewed in a pot, keeps piping hot and at perfect strength for hours in a thermos, thus obviating the need for a tea cosy, boiled water and forty seconds in the microwave on the second and subsequent cups;
- Googled correct use of the term 'albeit' to confirm that it isn't a replacement for 'despite' but a rather for 'despite being'. (Felt the need to find an appropriate website to share with a Year 12 student who keeps misusing the word);
- discovered, in the Narnian depths of my wardrobe, a cardigan, bought in Italy in 1985. Furthermore, found that said cardigan, worn over a Bonds hoodie, with hood up, precludes the need for a heater in my kitchen while I'm marking, thus saving on heating costs;
- read the side of a packet of Ferro-F-Tabs to realise I shouldn't be taking an iron supplement for more than twelve months without seeking medical attention. Stopped short of Googling, again to find out why;
- put head to one side and with a bemused expression on my face, pondered my need to record all this, thereby further interrupting my marking;
- counted my 'marked' pile - 6 in two hours - and my 'unmarked' - 21;
- devised a numbered checklist so I could cross off a number every time I completed marking an essay to stop myself obsessively counting through the pile - did it anyway to see if I'd forgotten to cross any off;
- considered the tenuous similarity between marking and knitting given that I count off knitted rows in much the same way, except faster;
- visited the furthest rather than the nearest lavatory in the house several times;
- remarked on the curious nexus between the drinking of a litre of piping hot tea from a thermos and the frequency of micturition;
- thought longingly of champagne as I gazed at the flutes in my kitchen dresser. (12.05 pm. Nineteen essays still to mark.)
- Googled, unsuccessfully, to see if a student had cheated on his essay. Quite sure he didn't write it but Google wasn't letting on;
- Experienced an almost orgasmic rush when I realised I had forgotten to cross off essays on my list. I had eleven, not fourteen to go. ('Menopause Harmony' must, as promised, have restored my libido.)
- Made second litre of tea;
- wondered whether I was perhaps overdosing on tea, but congratulated myself on denying another Google opportunity and resuming my marking;
- assigned 'blues' ringtone, on my iPhone, to my son;
- went for two k walk;
- organised my laundry.
Finally completed marking twenty-seven On The Waterfront essays at 4.43. Now I can whinge about having spent my whole day off marking. Sort of.
Fraud.
Wednesday, September 07, 2011
Retail Therapy?
Why is clothes shopping at Highpoint Shopping Centre low on my 'to do' list? Find out at Fraudster's Musings. Link in the side bar.
Cheers. Fraudster.
Cheers. Fraudster.
Wednesday, August 24, 2011
E-reading Revolution
I was lying in my bed reading one Saturday morning, the room all buttery and sunny. In came my daughter who plonked herself on the bed next to me. She wanted to show me her new iPhone. Being at that stage a customer service person at Telstra, she always had the latest. She blithely showed me a copy of Wuthering Heights that she’d downloaded for free.
Next she was clearly entertained by me, the sobbing wreck next to her. I was emotionally overwhelmed by the sci-fi idea that I could get a book on this palm-sized device. This was revolutionary, me in The Jetsons. Books have been my life. I love them. I’m surrounded by them at work, at home, on holidays. I simply have to read. I can’t function without books. And it was all changing.
This phone was amazing. Later, I met my daughter at her shop and signed up for my own iPhone. That was three years ago. (Good sales pitch, Didi.)
Still absolutely love the phone, love having access to all its cleverness, but I’ve only just got around to actually reading an e-book.
Sure, I’d downloaded Stanza, eReader and Kindle. Marvelled at the wealth of classics all there for me. Free. Notwithstanding the seventy bucks a month I’m still paying off to own the phone, the electricity to charge it, the potential brain cancer. But hey, Tarzan of the Apes at my fingertips.
I’d made a bit of a stab at A Tale of Two Cities, but didn’t get very far. I decided that I was more likely to read an e-book if I was reading something I really wanted to read. I bought Geraldine Brooks’ Caleb’s Crossing on Kindle – it was cheaper than the other e-readers – and started.
But it wasn’t that easy. A hard copy edition of The Fry Chronicles distracted me. Oh, and all three volumes of The Hunger Games. I kept making little forays into the e-book, on the tram, in a doctor’s waiting room. But it felt seriously odd reading the one paragraph that fit on the page then tapping it off to the left with my index finger. Four thousand more pages to go.
However, with sick determination – I actually was sick in bed – I poked my way into the story. Found myself tapping more quickly as the narrative drove me. Loved the convenience of being able to press on a word and instantly access a dictionary definition – although Brooks’ propensity for archaic words stymied me a few times.
I finally finished the story last Saturday, chasing the first bit of Melbourne spring sun across my garden. Kept my back to the sun and sheltered my little iPhone under the shadow of my chest. Yeah, slightly awkward but it did the trick.
The verdict? I love reading, paper or screen. Might even buy myself a Kindle for the sake of fitting a few more words at a time on the screen. Yes, there’s all that tactile stuff about reading, browsing the book section in shops, fondling, handling, sniffing – why not? - lining one's walls, writing notes in margins. I can make notes on an e-reader too, but don’t know how I’d go teaching a novel using an e-book. Don’t think it would work as well as my own paper text, stuffed with sticky-notes. Still, might give it a try.
New e-books are generally cheaper than hard copies but they’re single use really. I can’t share them around my family and friends in the same way, so if, say, I want my digitally challenged mum to enjoy something I’ve just read I’m going to end up buying a hard copy anyway.
Happily, at this stage I have a choice. I’d call that being able to have my cake and eat it too.
I'd welcome any suggestions re teaching print texts using e-readers, BTW.
Next she was clearly entertained by me, the sobbing wreck next to her. I was emotionally overwhelmed by the sci-fi idea that I could get a book on this palm-sized device. This was revolutionary, me in The Jetsons. Books have been my life. I love them. I’m surrounded by them at work, at home, on holidays. I simply have to read. I can’t function without books. And it was all changing.
This phone was amazing. Later, I met my daughter at her shop and signed up for my own iPhone. That was three years ago. (Good sales pitch, Didi.)
Still absolutely love the phone, love having access to all its cleverness, but I’ve only just got around to actually reading an e-book.
Sure, I’d downloaded Stanza, eReader and Kindle. Marvelled at the wealth of classics all there for me. Free. Notwithstanding the seventy bucks a month I’m still paying off to own the phone, the electricity to charge it, the potential brain cancer. But hey, Tarzan of the Apes at my fingertips.
I’d made a bit of a stab at A Tale of Two Cities, but didn’t get very far. I decided that I was more likely to read an e-book if I was reading something I really wanted to read. I bought Geraldine Brooks’ Caleb’s Crossing on Kindle – it was cheaper than the other e-readers – and started.
But it wasn’t that easy. A hard copy edition of The Fry Chronicles distracted me. Oh, and all three volumes of The Hunger Games. I kept making little forays into the e-book, on the tram, in a doctor’s waiting room. But it felt seriously odd reading the one paragraph that fit on the page then tapping it off to the left with my index finger. Four thousand more pages to go.
However, with sick determination – I actually was sick in bed – I poked my way into the story. Found myself tapping more quickly as the narrative drove me. Loved the convenience of being able to press on a word and instantly access a dictionary definition – although Brooks’ propensity for archaic words stymied me a few times.
I finally finished the story last Saturday, chasing the first bit of Melbourne spring sun across my garden. Kept my back to the sun and sheltered my little iPhone under the shadow of my chest. Yeah, slightly awkward but it did the trick.
The verdict? I love reading, paper or screen. Might even buy myself a Kindle for the sake of fitting a few more words at a time on the screen. Yes, there’s all that tactile stuff about reading, browsing the book section in shops, fondling, handling, sniffing – why not? - lining one's walls, writing notes in margins. I can make notes on an e-reader too, but don’t know how I’d go teaching a novel using an e-book. Don’t think it would work as well as my own paper text, stuffed with sticky-notes. Still, might give it a try.
New e-books are generally cheaper than hard copies but they’re single use really. I can’t share them around my family and friends in the same way, so if, say, I want my digitally challenged mum to enjoy something I’ve just read I’m going to end up buying a hard copy anyway.
Happily, at this stage I have a choice. I’d call that being able to have my cake and eat it too.
I'd welcome any suggestions re teaching print texts using e-readers, BTW.
Tuesday, August 16, 2011
Facebook page for English teachers
"There's this page on Facebook that's perfect for you." Thus I am greeted by Sneering Boy on my return to school. It's my first class for the week and I'm a bit under the weather. I've had a couple of days off; a rare occurrence. He laughs loudly, mirthlessly. I attempt to ignore the jibe, whatever it means, and wheel my data projector trolley to its usual position.
I'm about to show the kids On The Waterfront. Most haven't yet seen the film.
I didn't preempt the film too much. Told them to consider the film's production in the context of when it was made, hoping they wouldn't laugh when the dummy Joey Doyle is hurled off the roof. Explained that Kazan deliberately shot the film in black and white. Look at everything in the shot, I said, not just the central focus. If Johnny Friendly is washing his hands, for example, it probably signifies something, or why would Kazan bother?
We watched about half the film in the time we had left that session, leaving the rest for the next day. For them, and me, it was an easy session. I suppose I wanted them to engage with the plot and characters, much as I had done on my initial viewing one Saturday night, back in the '70s when I was sixteen.
Didn't give Sneering Boy's Facebook page a thought really. But that night I noticed one of my Facebook friends, another English teacher, had 'liked' this page. Out of curiosity I clicked on it. A minute ago, 19,758 people had 'liked' it. I didn't. Didn't even raise a chuckle.
Perhaps some teachers read too much between the lines and into films. Most of us study, research and attend Professional Development to develop our understanding and ensure we don't sell our students short when it comes to SAC and exam time.
And it's all there on the screen or page and is open to interpretation. I doubt whether Kazan intended to position his 2011 audience to view his film from a feminist perspective, but there it is for a modern viewer. The brave woman, knowing the truth and unafraid to speak it is silenced and side-lined by Joey Doyle's father. Terry tells Edie to do as she's told a couple of times - get back to the sisters; guard Charlie's body; do as I tell you. Another nondescript woman hurries across the background in a bar scene. It's there.
The offending Facebook page is really a testament to the zeitgeist, I suppose. Lots of poor spelling and punctuation and lots of that special combination of ignorance and arrogance - the secret of a happy life. Careless students, for the most part, engage with the social media and casually malign their teachers in the process. I concede that some of us are better or worse than others, but up at the year 12 end we're all working our bums off for our students regardless.
But being an Engliah teacher, I'm probably reading too much into it. Kudos to Sacha, the seventeen year old student who engaged in some of the discourse on the page and had the temerity to defend his teachers.
FYI, if you haven't caught up with it, the page is called Understanding a book more than the author because you're an English teacher.
I'm about to show the kids On The Waterfront. Most haven't yet seen the film.
I didn't preempt the film too much. Told them to consider the film's production in the context of when it was made, hoping they wouldn't laugh when the dummy Joey Doyle is hurled off the roof. Explained that Kazan deliberately shot the film in black and white. Look at everything in the shot, I said, not just the central focus. If Johnny Friendly is washing his hands, for example, it probably signifies something, or why would Kazan bother?
We watched about half the film in the time we had left that session, leaving the rest for the next day. For them, and me, it was an easy session. I suppose I wanted them to engage with the plot and characters, much as I had done on my initial viewing one Saturday night, back in the '70s when I was sixteen.
Didn't give Sneering Boy's Facebook page a thought really. But that night I noticed one of my Facebook friends, another English teacher, had 'liked' this page. Out of curiosity I clicked on it. A minute ago, 19,758 people had 'liked' it. I didn't. Didn't even raise a chuckle.
Perhaps some teachers read too much between the lines and into films. Most of us study, research and attend Professional Development to develop our understanding and ensure we don't sell our students short when it comes to SAC and exam time.
And it's all there on the screen or page and is open to interpretation. I doubt whether Kazan intended to position his 2011 audience to view his film from a feminist perspective, but there it is for a modern viewer. The brave woman, knowing the truth and unafraid to speak it is silenced and side-lined by Joey Doyle's father. Terry tells Edie to do as she's told a couple of times - get back to the sisters; guard Charlie's body; do as I tell you. Another nondescript woman hurries across the background in a bar scene. It's there.
The offending Facebook page is really a testament to the zeitgeist, I suppose. Lots of poor spelling and punctuation and lots of that special combination of ignorance and arrogance - the secret of a happy life. Careless students, for the most part, engage with the social media and casually malign their teachers in the process. I concede that some of us are better or worse than others, but up at the year 12 end we're all working our bums off for our students regardless.
But being an Engliah teacher, I'm probably reading too much into it. Kudos to Sacha, the seventeen year old student who engaged in some of the discourse on the page and had the temerity to defend his teachers.
FYI, if you haven't caught up with it, the page is called Understanding a book more than the author because you're an English teacher.
Saturday, June 25, 2011
Wednesday, June 15, 2011
Exam supervision.
Any junior secondary teacher who's had the dubious pleasure of exam supervision - or 'invigilation' (sounds more exciting than it is) - in winter in Melbourne, has no doubt suffered the assault of fifteen of twenty-five kids taking it in turns to drag snot back up their nostrils - where else? - in the absence of tissues or handkerchiefs.
"Got a tissue, Miss?"
"No. Use your sleeve."
What's with kids not being responsible for their own secretions these days? The teacher is expected to provide.
I pace on imperiously, looking for the position in the room where I'm least likely to be infected by kids I don't even know.
These are year 8s. Their basic reading comprehension, grammar, punctuation and spelling skills are being assessed. I glance across the room to see a boy studying his dictionary. Cheeky. It's quickly confiscated. Boy feigns outrage at the contravention of his rights. Now everyone's talking.
"Settle down and get on with it," I boom. "Absolutely no communication with any other student."
"Can you shut up, Miss? I'm trying to concentrate. You're the one who's talking." The class is duly amused by 'Jonah'. (Chris Lilley got it so right in Summer Heights High.)
And what's with kids turning up to exams without a writing implement? Again, the teacher has to prepare for this eventuality. I do, and cringe as I see the kid, who's been instructed not to, sucking on the end of my pen.
So there I am, up at the front of the classroom, counting every sodding minute. I've written the time at fifteen minute intervals on the board. Should have written it at five minute intervals so at least I'd have something to do, crossing out the passing time. I've gazed out the window, over the valley. I've studied the empty playground out of the other window. I've confiscated a set of headphones from the class attention seeker and won a sotto voce glaring eyeballed battle of wills with the same kid, who for some inexplicable reason started pretending to be a fish flapping his fins.
"Flap like a fishy! Flap like a fishy!" he chanted, to much mirth, flapping his hands. A couple of near-by kids followed suit. Must be an in-joke.
"I'll put you out!" I whisper, fiercely. "Last warning!" After a final, half-hearted flap, he settles. Terribly grateful he didn't call my bluff. I generally don't win contests with kids I don't know. I'm easily overpowered.
Check my watch. Two minutes have elapsed.
How to pass the time when one can't look away from one's charges? Hmm.
You can tell a lot about a thirteen year old school boy by his hair style. His parents have either lost control of him already, and thus he does what he wants, or they think it looks cool and the kid is an extension of their own ego. This kid has that swept around the face, little boy rock star shag. Totally impractical, it requires the wearer to modify his behaviour, constantly flinging the head, and the 'fringe', over the right shoulder to maintain vision. Particularly difficult when the wearer is hunched, nose dripping, over an exam paper. This was one of the tissue-less sniffers. Fling. Sniff.
He's tiny, little legs poking out of short pants, despite it being about seven degrees outside. His little feet are in battered black canvas slip on shoes; the type that look down at heel, even when brand new. Quite de rigueur with the male school rebel. This one, yet to reach puberty, has a grey ball pierced through the lower left lip.
Another rebel, a girl with thick eyebrows and long dark hair parted down the middle, glares at me through her curtains. She slouches down in her seat and extends her legs under the table to place them on the vacant chair, barely within reach, on the other side. I decide for the sake of harmony to ignore it. She looks distinctly uncomfortable but is determined to keep her feet there, to prove some point or other. Not getting a rise out of me, she kicks off one cheap black ballet slipper, then the other. Like I care.
Excruciating, tense, mind-numbing tedium.
Another five minutes have passed. Sixty-three to go.
"Got a tissue, Miss?"
"No. Use your sleeve."
What's with kids not being responsible for their own secretions these days? The teacher is expected to provide.
I pace on imperiously, looking for the position in the room where I'm least likely to be infected by kids I don't even know.
These are year 8s. Their basic reading comprehension, grammar, punctuation and spelling skills are being assessed. I glance across the room to see a boy studying his dictionary. Cheeky. It's quickly confiscated. Boy feigns outrage at the contravention of his rights. Now everyone's talking.
"Settle down and get on with it," I boom. "Absolutely no communication with any other student."
"Can you shut up, Miss? I'm trying to concentrate. You're the one who's talking." The class is duly amused by 'Jonah'. (Chris Lilley got it so right in Summer Heights High.)
And what's with kids turning up to exams without a writing implement? Again, the teacher has to prepare for this eventuality. I do, and cringe as I see the kid, who's been instructed not to, sucking on the end of my pen.
So there I am, up at the front of the classroom, counting every sodding minute. I've written the time at fifteen minute intervals on the board. Should have written it at five minute intervals so at least I'd have something to do, crossing out the passing time. I've gazed out the window, over the valley. I've studied the empty playground out of the other window. I've confiscated a set of headphones from the class attention seeker and won a sotto voce glaring eyeballed battle of wills with the same kid, who for some inexplicable reason started pretending to be a fish flapping his fins.
"Flap like a fishy! Flap like a fishy!" he chanted, to much mirth, flapping his hands. A couple of near-by kids followed suit. Must be an in-joke.
"I'll put you out!" I whisper, fiercely. "Last warning!" After a final, half-hearted flap, he settles. Terribly grateful he didn't call my bluff. I generally don't win contests with kids I don't know. I'm easily overpowered.
Check my watch. Two minutes have elapsed.
How to pass the time when one can't look away from one's charges? Hmm.
You can tell a lot about a thirteen year old school boy by his hair style. His parents have either lost control of him already, and thus he does what he wants, or they think it looks cool and the kid is an extension of their own ego. This kid has that swept around the face, little boy rock star shag. Totally impractical, it requires the wearer to modify his behaviour, constantly flinging the head, and the 'fringe', over the right shoulder to maintain vision. Particularly difficult when the wearer is hunched, nose dripping, over an exam paper. This was one of the tissue-less sniffers. Fling. Sniff.
He's tiny, little legs poking out of short pants, despite it being about seven degrees outside. His little feet are in battered black canvas slip on shoes; the type that look down at heel, even when brand new. Quite de rigueur with the male school rebel. This one, yet to reach puberty, has a grey ball pierced through the lower left lip.
Another rebel, a girl with thick eyebrows and long dark hair parted down the middle, glares at me through her curtains. She slouches down in her seat and extends her legs under the table to place them on the vacant chair, barely within reach, on the other side. I decide for the sake of harmony to ignore it. She looks distinctly uncomfortable but is determined to keep her feet there, to prove some point or other. Not getting a rise out of me, she kicks off one cheap black ballet slipper, then the other. Like I care.
Excruciating, tense, mind-numbing tedium.
Another five minutes have passed. Sixty-three to go.
Saturday, May 28, 2011
No, there isn't a film of Year of Wonders!
When I check my 'hit' stats, as one does from time to time on the Blogger Dashboard, well, frequently for some narcissistic reason, I feel a little sorry for all those students and teachers out there who are searching for insight on Encountering Conflict, the VCE English Context and The Secret River. All they'll find is a fairly slapdash mental doodling from my inner monologue; a mere reflection as I grappled with the ideas in the text.
Would that my current year 12s would grapple with some ideas. Or even read a book. I struggle to overcome their apathy.
At our school we provide compulsory end of year VCE orientation classes. Obviously, the teachers' brief is to prepare students for the enormous transition into their next year. They're ordered to read the set texts during the summer vacation; to mark up their texts with sticky notes; to underline significant sections; to write chapter summaries. And this is just for their first reading. Many students respond enthusiastically at the time. They earnestly make notes; hang around at the end of the session for more information.
Come the new year, a few keen students arrive with their texts fluttering with fluoro sticky notes. Indeed every student will usually submit the first work requirement for assessment. I usually set a reasonably challenging analysis of the use of language in argument. They'll type their work and often will position me to reward their efforts by telling me how hard they've worked on this particular piece. Conversely, they'll start blaming their previous English teacher for their lack of skill in this particular area.
That's the first work requirement, anyway. For most students, the apathy now sets in. This reluctance to complete work and submit it for assessment seems endemic at my school. This has a cumulative effect, of course. By the time some students reach Year 12, they have few resources to draw on. The truth is that students are usually promoted each year, whether or not they've really learned the skills to cope with the rigour of the increasingly complex English course. There are heaps of valid reasons for this. We can't bank them all up at the end of year 8 until they make the grade. Teachers generally do the best they can to impart the requisite skills. And not everyone loves, or is good at English. It seems to me that if it weren't compulsory, there'd probably only be one class, rather than six, at year 12.
We started our year teaching Outcome 2, Creating and Presenting. It was abundantly clear that most students hadn't read The Crucible. Students' writing contained lots of inadvertent references to incidents in the Daniel Day Lewis film.
This term, about three weeks into my teaching of Year of Wonders - "Is there a film, Miss?" - it was becoming bleedingly obvious that perhaps two thirds of my students hadn't read the text. During the term one break they'd had a series of general questions to answer. Well, that was the idea.
One question required students to list and define some of the archaic words in the text.
"I didn't do that one, miss." Giggles nervously; tilts head to one side; winds a strand of blond hair around an index finger. "I didn't know what 'archaic' meant so I left it out."
"Nobody told me we had to do the questions."
"I couldn't do them because I was busy. It's supposed to be a holiday. Du-uuh!" Rolls eyes. As if.
"Why are you looking at me? I'm not the only one who hasn't done them!" This girl's clenched her jaw, her dark eyes glaring at me.
There's a 'redemption' system at the school. If a student fails to complete a work requirement, the teacher may allow said student to redeem him or herself. It's almost biblical. Perhaps we could call it Atonement. Students are permitted one redemption per subject per semester.
About a week ago, when two work requirements were due, I faced the prospect of issuing redemptions to about twenty six students. Redemption notices must be issued to students, which must then be signed by parents, the teacher, the student and the coordinator before being filed. In other words, it's an administrative nightmare. Rather than face it, I gave up.
"I'm not doing this for my own pleasure, or to hurt you," I tell them, in one of my regular pep talks. "I want you to get the best marks you're capable of. I've done year 12. It's not about me. It's easier for me if you don't do the work because I have less marking. But I'm prepared to die under a pile of marking if you'll only do the work!"
"Miss, chillax!" Why do I care? They don't.
It's not all bad, though. I really like these kids and I feel their pain. I'd hate to do VCE. Some students work exceptionally hard. And there's the occasional gem.
"Yeah, Miss, I read Year of Wonders over the holidays but it was a bit boring. It's just about a chick who gets stronger." Wish he'd enjoyed it more, but you've got to admit, he summed it up. Sort of.
Would that my current year 12s would grapple with some ideas. Or even read a book. I struggle to overcome their apathy.
At our school we provide compulsory end of year VCE orientation classes. Obviously, the teachers' brief is to prepare students for the enormous transition into their next year. They're ordered to read the set texts during the summer vacation; to mark up their texts with sticky notes; to underline significant sections; to write chapter summaries. And this is just for their first reading. Many students respond enthusiastically at the time. They earnestly make notes; hang around at the end of the session for more information.
Come the new year, a few keen students arrive with their texts fluttering with fluoro sticky notes. Indeed every student will usually submit the first work requirement for assessment. I usually set a reasonably challenging analysis of the use of language in argument. They'll type their work and often will position me to reward their efforts by telling me how hard they've worked on this particular piece. Conversely, they'll start blaming their previous English teacher for their lack of skill in this particular area.
That's the first work requirement, anyway. For most students, the apathy now sets in. This reluctance to complete work and submit it for assessment seems endemic at my school. This has a cumulative effect, of course. By the time some students reach Year 12, they have few resources to draw on. The truth is that students are usually promoted each year, whether or not they've really learned the skills to cope with the rigour of the increasingly complex English course. There are heaps of valid reasons for this. We can't bank them all up at the end of year 8 until they make the grade. Teachers generally do the best they can to impart the requisite skills. And not everyone loves, or is good at English. It seems to me that if it weren't compulsory, there'd probably only be one class, rather than six, at year 12.
We started our year teaching Outcome 2, Creating and Presenting. It was abundantly clear that most students hadn't read The Crucible. Students' writing contained lots of inadvertent references to incidents in the Daniel Day Lewis film.
This term, about three weeks into my teaching of Year of Wonders - "Is there a film, Miss?" - it was becoming bleedingly obvious that perhaps two thirds of my students hadn't read the text. During the term one break they'd had a series of general questions to answer. Well, that was the idea.
One question required students to list and define some of the archaic words in the text.
"I didn't do that one, miss." Giggles nervously; tilts head to one side; winds a strand of blond hair around an index finger. "I didn't know what 'archaic' meant so I left it out."
"Nobody told me we had to do the questions."
"I couldn't do them because I was busy. It's supposed to be a holiday. Du-uuh!" Rolls eyes. As if.
"Why are you looking at me? I'm not the only one who hasn't done them!" This girl's clenched her jaw, her dark eyes glaring at me.
There's a 'redemption' system at the school. If a student fails to complete a work requirement, the teacher may allow said student to redeem him or herself. It's almost biblical. Perhaps we could call it Atonement. Students are permitted one redemption per subject per semester.
About a week ago, when two work requirements were due, I faced the prospect of issuing redemptions to about twenty six students. Redemption notices must be issued to students, which must then be signed by parents, the teacher, the student and the coordinator before being filed. In other words, it's an administrative nightmare. Rather than face it, I gave up.
"I'm not doing this for my own pleasure, or to hurt you," I tell them, in one of my regular pep talks. "I want you to get the best marks you're capable of. I've done year 12. It's not about me. It's easier for me if you don't do the work because I have less marking. But I'm prepared to die under a pile of marking if you'll only do the work!"
"Miss, chillax!" Why do I care? They don't.
It's not all bad, though. I really like these kids and I feel their pain. I'd hate to do VCE. Some students work exceptionally hard. And there's the occasional gem.
"Yeah, Miss, I read Year of Wonders over the holidays but it was a bit boring. It's just about a chick who gets stronger." Wish he'd enjoyed it more, but you've got to admit, he summed it up. Sort of.
Thursday, May 19, 2011
Fraudster muses about Ebay
Just in case anyone's interested, new post at my other non-teaching blog. There's a link in the side bar.
Cheers.
Fraudster, the part-time Fraudulent Teacher. And loving it.
Cheers.
Fraudster, the part-time Fraudulent Teacher. And loving it.
Saturday, May 14, 2011
Playing the wild card
Feeling pretty darn smug.
Worked my last full-time week, hopefully forever. School found a great replacement teacher who’s going to do an excellent job; can just feel it. Finished up well with my year 8s and 10s. Sad to let them go, but glad to have some semblance of my own life back. I’ve been sporting a big smile since I worked my last ‘four-on’ day on Wednesday. It hit me then. No more weekend marking. No more crashing at 8.45 every evening, just to have it start all over again at 6. 30 next morning. No more relentlessly working six days a week to keep up with my two year 12 English classes. But this takes the cake. This is the end to all my stress.
No. More. Meetings. (Anyone who’s read my previous posts will know how much I loathe them.) My new timetable works so that I don’t have to attend meetings!
Feel like I’ve won the lottery. Well, I have, really. Work was insanely oppressive. It’s not good to be constantly fantasizing about how one is going to get out of it. Too old by too many years to pull another pregnancy. That got me out of it back in the eighties, when I hated just about everything about the school I was teaching at at the time. Still not sure that I had my now twenty-four year old son back then except as a way out of gaol, because that’s what it felt like.
They don’t give part-time lightly at our school. New mums get it, but only on a year by year basis. Part-timers are hell on a time-table, and that’s how schools operate. A few years back a colleague – an excellent teacher by everyone’s reckoning – wanted to ease into retirement by going part-time; three days a week. She offered to attend school five days a week to accommodate this. They wouldn’t do it. She retired and what a waste of an experienced teacher that was.
So how have I achieved this miracle? In an ironic way, really. I have Type 1 diabetes that’s a bit hard to manage. Stress affects it. But I’ve managed it for all but two years of my teaching career. That’s the two years I taught before I was diagnosed, BTW.
One of the Assistant Principals caught up with me in the school reception area on Thursday. He’d heard the reason for my reduction in hours and wanted to offer his sympathy. This guy is a bit deaf and consequently has a foghorn voice.
“How’re you travelling?” he bellows. Students stop their conversations. The women behind the glass wall in the office pause at their computers and look quizzically in the direction of The Voice.
“Yeah, not too bad,” I smile. “Glad to be going part-time, of course. Pity I have to have an uncontrollable chronic illness to get it.”
“Yeah. Now you look after yourself, won’t you. An old mate of mine’s a diabetic and every time I see him he’s had another bit chopped off.” He throws his head back and laughs. I titter awkwardly, aware of the audience at reception.
You might see why I keep the Diabetic Card close to my chest. Comments like his are not uncommon. I could write a book about it.
Anyway, I’ve played that Diabetic wild card now, and it feels sublime.
To celebrate, thought I’d pop in and visit Dan on the way home. That’s Dan Murphy, my mate. (It’s the liquor superstore, for any readers who may live beyond Australia.)
Swanned down the chardonnay aisle with a beatific smile on my face, feeling wonderful, despite the bleak leaden sky and pelting rain. Pulled up at the curb outside my house. Waved, queen-like, at my thirty-something neighbours and pitied them with their screaming baby and a whole lot of people arriving. Strode confidently around my car and opened the passenger door. Head held high, relishing the gale force wind in my hair, positively beaming, I scooped up my bag in my left hand. The six pack of chardy – well, it’s cheaper by the half-dozen – was one of those with ‘carriers’ cut into its sides. I grasped it with my right hand and yanked it out of the car, still in an attitude of Uma Thurman on the red carpet, so thrilled was I, on a Friday afternoon, with my part-time status.
Rrriippp. That’s the sound of cardboard tearing. I dropped the case of wine on the grass verge, luckily avoiding any breakage.
Felt a tad less smug as I put the other bag down and hoisted the carton, by its base, onto my left thigh and into my arms. When I put it down at my front door, before fumbling with my keys to get inside, I discovered, when I tried to brush the mustard looking stuff off my thigh, that I was pasted liberally with foetid dog turd.
Pride goeth before a fall. I’m even less smug now.
Nah. I’m lying. It cleaned up and I still feel amazing. Sometimes all the cards, even the diabetic ones, fall into place.
Worked my last full-time week, hopefully forever. School found a great replacement teacher who’s going to do an excellent job; can just feel it. Finished up well with my year 8s and 10s. Sad to let them go, but glad to have some semblance of my own life back. I’ve been sporting a big smile since I worked my last ‘four-on’ day on Wednesday. It hit me then. No more weekend marking. No more crashing at 8.45 every evening, just to have it start all over again at 6. 30 next morning. No more relentlessly working six days a week to keep up with my two year 12 English classes. But this takes the cake. This is the end to all my stress.
No. More. Meetings. (Anyone who’s read my previous posts will know how much I loathe them.) My new timetable works so that I don’t have to attend meetings!
Feel like I’ve won the lottery. Well, I have, really. Work was insanely oppressive. It’s not good to be constantly fantasizing about how one is going to get out of it. Too old by too many years to pull another pregnancy. That got me out of it back in the eighties, when I hated just about everything about the school I was teaching at at the time. Still not sure that I had my now twenty-four year old son back then except as a way out of gaol, because that’s what it felt like.
They don’t give part-time lightly at our school. New mums get it, but only on a year by year basis. Part-timers are hell on a time-table, and that’s how schools operate. A few years back a colleague – an excellent teacher by everyone’s reckoning – wanted to ease into retirement by going part-time; three days a week. She offered to attend school five days a week to accommodate this. They wouldn’t do it. She retired and what a waste of an experienced teacher that was.
So how have I achieved this miracle? In an ironic way, really. I have Type 1 diabetes that’s a bit hard to manage. Stress affects it. But I’ve managed it for all but two years of my teaching career. That’s the two years I taught before I was diagnosed, BTW.
One of the Assistant Principals caught up with me in the school reception area on Thursday. He’d heard the reason for my reduction in hours and wanted to offer his sympathy. This guy is a bit deaf and consequently has a foghorn voice.
“How’re you travelling?” he bellows. Students stop their conversations. The women behind the glass wall in the office pause at their computers and look quizzically in the direction of The Voice.
“Yeah, not too bad,” I smile. “Glad to be going part-time, of course. Pity I have to have an uncontrollable chronic illness to get it.”
“Yeah. Now you look after yourself, won’t you. An old mate of mine’s a diabetic and every time I see him he’s had another bit chopped off.” He throws his head back and laughs. I titter awkwardly, aware of the audience at reception.
You might see why I keep the Diabetic Card close to my chest. Comments like his are not uncommon. I could write a book about it.
Anyway, I’ve played that Diabetic wild card now, and it feels sublime.
To celebrate, thought I’d pop in and visit Dan on the way home. That’s Dan Murphy, my mate. (It’s the liquor superstore, for any readers who may live beyond Australia.)
Swanned down the chardonnay aisle with a beatific smile on my face, feeling wonderful, despite the bleak leaden sky and pelting rain. Pulled up at the curb outside my house. Waved, queen-like, at my thirty-something neighbours and pitied them with their screaming baby and a whole lot of people arriving. Strode confidently around my car and opened the passenger door. Head held high, relishing the gale force wind in my hair, positively beaming, I scooped up my bag in my left hand. The six pack of chardy – well, it’s cheaper by the half-dozen – was one of those with ‘carriers’ cut into its sides. I grasped it with my right hand and yanked it out of the car, still in an attitude of Uma Thurman on the red carpet, so thrilled was I, on a Friday afternoon, with my part-time status.
Rrriippp. That’s the sound of cardboard tearing. I dropped the case of wine on the grass verge, luckily avoiding any breakage.
Felt a tad less smug as I put the other bag down and hoisted the carton, by its base, onto my left thigh and into my arms. When I put it down at my front door, before fumbling with my keys to get inside, I discovered, when I tried to brush the mustard looking stuff off my thigh, that I was pasted liberally with foetid dog turd.
Pride goeth before a fall. I’m even less smug now.
Nah. I’m lying. It cleaned up and I still feel amazing. Sometimes all the cards, even the diabetic ones, fall into place.
Sunday, May 01, 2011
Me and Sisyphus.
Eight-fifteen, Sunday morning. In bed. First cup of Earl Grey and let the marking begin. A colleague said that his wife forbids him to do any school work in bed - as if he should be at his age! Fair call. It's a bit of a violation of the marital boundaries, I suppose. But for me, it's the best place to do it. The marking. Get it done quickly enough and I can trick myself into believing that I'm not really working. (Gotta feel for my old man, eh.)
By ten fifteen I'd completed it. This is the thing. Marking that pile of year 8 work was a light-bulb moment - well, 120 minutes. I had an insight, and it wasn't how shit it was to be working for the second day of my weekend. No, it dawned on me that I was actually enjoying what I was reading, albeit some of it laden with technical errors. My year 8s, despite the vagaries of their thirteen year old selves, had engaged with the task. They were having fun writing an alternative ending to Lockie Leonard, Human Torpedo. They were playing with similes and metaphors and writing entertaining, plausible scenarios. Well, mostly. One student had turned Sarge, Lockie's dad, into a pathological practical jokester, setting up Lockie to believe that (a) his whole family had perished in a car accident on the way to church, and (b) that Lockie had terminal cancer. Even got a doctor to play along. Gotcha! This was Sarge's strategy to get Lockie to stop moping over the demise of his relationship with Vicki Streeton. Made for interesting, entertaining reading.
Just about every kid in the class completed the assignment. Some of their stories contained writing in my own hand, a sentence or two to give them direction or inspiration when they claimed they were stuck. Love doing that. Love the responses when the kids grab an idea and run with it. Lots of the kids had redrafted their writing. The finished pieces showed genuine pride in their work.
So this morning, I was pleasantly rewarded to be able to see where I'd been as a teacher. I'd facilitated the learning, and here was some evidence in the finished work.
However, I'm not seeing this much from the Year 12s, and it's not for the want of trying. I do most of my teaching at year 12 and for a lot of the time I feel like Sisyphus, if he's the guy who had to keep rolling the boulder up the hill just to have it roll down again. Spent about four hours yesterday marking SACs on Encountering Conflict. Mostly they were turgid. Some students are genuinely engaged in the task; developing as writers. Others try, but with limited success. And then there are the students who write unmitigated pretentious rubbish; page filler. Sadly, their literacy skills suggest that if they just made an effort they'd be quite capable of writing well. There's my dilemma and there's that massive rock again. How to motivate the disengaged.
Think I need a sabbatical from teaching VCE. It's not fun. It's constant pressure to get through an enormous workload: wall-to-wall SACs leading up to the final be-all-and-end-all exam followed by the judgment in December when the results come out.
A couple of years ago I suggested to my former principal that I have time off from teaching the year 12s. She told me I'd miss it and wouldn't cope! When I assured her I would, she told me that in that case she'd have to give me a directive to teach it. The trouble is that few English teachers at my school want to teach year 12 because they know how demanding it is. Meanwhile, I keep working six days a week pushing that rock up the hill. Perhaps, like Sisyphus, I'm being punished?
By ten fifteen I'd completed it. This is the thing. Marking that pile of year 8 work was a light-bulb moment - well, 120 minutes. I had an insight, and it wasn't how shit it was to be working for the second day of my weekend. No, it dawned on me that I was actually enjoying what I was reading, albeit some of it laden with technical errors. My year 8s, despite the vagaries of their thirteen year old selves, had engaged with the task. They were having fun writing an alternative ending to Lockie Leonard, Human Torpedo. They were playing with similes and metaphors and writing entertaining, plausible scenarios. Well, mostly. One student had turned Sarge, Lockie's dad, into a pathological practical jokester, setting up Lockie to believe that (a) his whole family had perished in a car accident on the way to church, and (b) that Lockie had terminal cancer. Even got a doctor to play along. Gotcha! This was Sarge's strategy to get Lockie to stop moping over the demise of his relationship with Vicki Streeton. Made for interesting, entertaining reading.
Just about every kid in the class completed the assignment. Some of their stories contained writing in my own hand, a sentence or two to give them direction or inspiration when they claimed they were stuck. Love doing that. Love the responses when the kids grab an idea and run with it. Lots of the kids had redrafted their writing. The finished pieces showed genuine pride in their work.
So this morning, I was pleasantly rewarded to be able to see where I'd been as a teacher. I'd facilitated the learning, and here was some evidence in the finished work.
However, I'm not seeing this much from the Year 12s, and it's not for the want of trying. I do most of my teaching at year 12 and for a lot of the time I feel like Sisyphus, if he's the guy who had to keep rolling the boulder up the hill just to have it roll down again. Spent about four hours yesterday marking SACs on Encountering Conflict. Mostly they were turgid. Some students are genuinely engaged in the task; developing as writers. Others try, but with limited success. And then there are the students who write unmitigated pretentious rubbish; page filler. Sadly, their literacy skills suggest that if they just made an effort they'd be quite capable of writing well. There's my dilemma and there's that massive rock again. How to motivate the disengaged.
Think I need a sabbatical from teaching VCE. It's not fun. It's constant pressure to get through an enormous workload: wall-to-wall SACs leading up to the final be-all-and-end-all exam followed by the judgment in December when the results come out.
A couple of years ago I suggested to my former principal that I have time off from teaching the year 12s. She told me I'd miss it and wouldn't cope! When I assured her I would, she told me that in that case she'd have to give me a directive to teach it. The trouble is that few English teachers at my school want to teach year 12 because they know how demanding it is. Meanwhile, I keep working six days a week pushing that rock up the hill. Perhaps, like Sisyphus, I'm being punished?
Auspicious start to Term Two.
Quite weird returning to school on Wednesday after a longer break than usual. Nonetheless, four on. That is, a full day of teaching awaited me. No biggie. This is my teaching lot on Mondays and Wednesdays; for the entire year. The timetable has remained unchanged for me for three years. I'm used to the pace.
However, I was feeling the pain on Wednesday. Dragging my feet. Should have been energetic, instead I was enervated, for a variety of reasons. But as teachers know, we can't let our moods affect us. Take that mood into the classroom and you can guarantee a lesson of kids acting out.
Had year 12s last period. Last term, I'd planned that this lesson would be low impact, on me anyway. The students had a task to complete during class. That was it.
As I approached the classroom the students milled around the door, enjoying the warmth of the autumn sunshine. I could feel it on my back as I approached. Bit of a breeze too. Pity we all had to go into the classroom.
"Hi, Miss, how was your holiday?"
"Too short! You?"
"Yeah, good." The usual post holiday banter. I was amongst them now, smiling, feeling not too bad.
In front of me was Rodney. He's a big fellow; stocky and about six four. He's one of the brightest students in my class, but I'm hard pressed to get his best work out of him. Something in him renders him reluctant to give too much. His year 11 teacher admitted to seriously loathing this kid. He's sarcastic; too ready with the smart-arsed remarks. Kids aren't born like this, and at the end of last term, I felt I was beginning to get around his self-defeating behaviour. As if.
"Marked our SACs yet?" Rodney asked. All our year 12 SACs are cross-marked. We do first and second round marking, and third marking should it be necessary if the first two rounds throw up discrepant marks. I learned this during the years I marked exams for VCAA. As it happened, all the teachers had completed the first round marking. Of course, it being our first day back, we hadn't had a chance to do the second round. I started to explain this to the assembled students. We still weren't in the door. But before I could get it out Rodney let me have it.
"What's wrong with you?" he barked. "You've had three fuckin' weeks!"
This prompted an explosive verbal reaction from me, not to mention a near coronary, by the feel of my heart banging in my chest. Yeah, I shouldn't have sworn. Teachers should be above this, and generally I am. My arm was thrust out, indicating the direction he should go to get out of my sight. He spluttered something but retreated. At that stage I became conscious of the silence in the yard. About forty kids had witnessed a woman of a certain age going off.
After that I could barely function, despite the support of the students who felt that he had it coming. For me, it was my loss of control that was so shattering, as was the flagrant disrespect of a senior student who also should have known better. Within about ten minutes, Rodney had apprised another student, via text message, that he'd phoned his mother, who'd phoned the principal. Naturally, he had played down his own part in the drama. Apparently he'd asked an innocent question at which I'd abused him and unfairly banished him from the class.
So there I was, at 3.15, seeing the principal. Fortunately, he understood.
In conclusion, what? So glad my own kids have pursued careers other than teaching? Teaching can really suck? Is it worth it? Why am I still dwelling on it even after the principal told me not to lose sleep over it? Back for more of the same tomorrow? And why have I spent six hours this weekend marking?
However, I was feeling the pain on Wednesday. Dragging my feet. Should have been energetic, instead I was enervated, for a variety of reasons. But as teachers know, we can't let our moods affect us. Take that mood into the classroom and you can guarantee a lesson of kids acting out.
Had year 12s last period. Last term, I'd planned that this lesson would be low impact, on me anyway. The students had a task to complete during class. That was it.
As I approached the classroom the students milled around the door, enjoying the warmth of the autumn sunshine. I could feel it on my back as I approached. Bit of a breeze too. Pity we all had to go into the classroom.
"Hi, Miss, how was your holiday?"
"Too short! You?"
"Yeah, good." The usual post holiday banter. I was amongst them now, smiling, feeling not too bad.
In front of me was Rodney. He's a big fellow; stocky and about six four. He's one of the brightest students in my class, but I'm hard pressed to get his best work out of him. Something in him renders him reluctant to give too much. His year 11 teacher admitted to seriously loathing this kid. He's sarcastic; too ready with the smart-arsed remarks. Kids aren't born like this, and at the end of last term, I felt I was beginning to get around his self-defeating behaviour. As if.
"Marked our SACs yet?" Rodney asked. All our year 12 SACs are cross-marked. We do first and second round marking, and third marking should it be necessary if the first two rounds throw up discrepant marks. I learned this during the years I marked exams for VCAA. As it happened, all the teachers had completed the first round marking. Of course, it being our first day back, we hadn't had a chance to do the second round. I started to explain this to the assembled students. We still weren't in the door. But before I could get it out Rodney let me have it.
"What's wrong with you?" he barked. "You've had three fuckin' weeks!"
This prompted an explosive verbal reaction from me, not to mention a near coronary, by the feel of my heart banging in my chest. Yeah, I shouldn't have sworn. Teachers should be above this, and generally I am. My arm was thrust out, indicating the direction he should go to get out of my sight. He spluttered something but retreated. At that stage I became conscious of the silence in the yard. About forty kids had witnessed a woman of a certain age going off.
After that I could barely function, despite the support of the students who felt that he had it coming. For me, it was my loss of control that was so shattering, as was the flagrant disrespect of a senior student who also should have known better. Within about ten minutes, Rodney had apprised another student, via text message, that he'd phoned his mother, who'd phoned the principal. Naturally, he had played down his own part in the drama. Apparently he'd asked an innocent question at which I'd abused him and unfairly banished him from the class.
So there I was, at 3.15, seeing the principal. Fortunately, he understood.
In conclusion, what? So glad my own kids have pursued careers other than teaching? Teaching can really suck? Is it worth it? Why am I still dwelling on it even after the principal told me not to lose sleep over it? Back for more of the same tomorrow? And why have I spent six hours this weekend marking?
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